JVC GY-HD101E PDF

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CLICK FOR WHAT’S NEW (AS COMPARED WITH THE GY-HDU). The smallest and most affordable HD Cinema production camera available! JVC’s. JVC GY-HDE 3-CCD ProHD camcorder Interchangeable lenses (16x lens supplied) See All Professional JVC Camcorders. JVC GY-HDE HDV Camcorder Review. by Nigel Cooper. nigel I ve heard so many things about these two new HDV camcorders from JVC.

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It is very easy to adjust the camera to your own bodily ergonomics.

Personally I think progressive looks much nicer than interlaced footage. Shooting formats So what about the shooting modes?

Offer JVC GY-HD 1/3 inch 3CCD ProHD Camcorder GY-HDE

This means that if is the desirable delivery format as currently many TV stations do you can easily down-convert in editing i footage to p; you? Whilst I did manage to alleviate the problem I still repeatedly was left with corrupted tails on clips captured through basic scene-detection capture.

JVC would argue that the resulting image is not the same as capturing jbc in the first place from the camera and this is technically gy-gd101e. When depressed the viewfinder turns to black and white and any outline areas of focus suddenly light up blue or red or gyh-d101e, depending on which you choose in the menusthis makes it very easy to focus accurately and quickly.

Instead of the usual infinite focus rings of all other current HDV cameras, where the focus ring rotates infinitely and gaining focus is a matter of pure visual selection, a fixed focus ring allows the operator to more finely adjust focus control and set focus to specific focal distances.

Which brings me to another point that will be very relevant to wedding videographers. My answer to that is, learn to shoot like a cinematic film cameraman, adapt your shooting technique for 25P, get some 25P shooting techniques training from someone who is used to shooting on film.

The chips require a lot of energy to capture the footage. The second, was having a smaller frame HD size allowed for a progressive-scan format that wouldn? Some supporters of 24p argue that footage shot at 24p can easily be delivered as 25p or 50i in the home and it retains the look of? I suspect JVC did their market research and in particular looked at the Canon XL1 and XL2 and asked themselves the simple question of what was it that made this camera so popular for small and indie production and even not so small and indie.

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When the recording is completed, the unit enters the Record-Standby mode. Some video-makers might ask? On the contrary, the GY-HDE is perfectly balanced on the shoulder, better than anything else in this price range that I have ever tried, in fact it betters many shoulder-mounted cameras that I have gy-hd101r costing twice this price. The answer of course, above all others, was that the XL2 was the only camera in its class with interchangeable lenses and precise lens control.

The alternative preview method comes from the substantial flip-out LCD screen. We use cookies to ensure that we give you the best experience on our website. All that said, JVC aren?

JVC GY-HDE with P+S Technik Mini 35 Image Converter | Flickr

So, would I buy one? Canon answered with the XLH1 and delivered a level of sophistication and control not often seen in cameras under 25k. Each shot gy-hd10e to be planned and worked out in advance to prevent the flicker phenomena, that is just as present in film shooting as it is in progressive shooting, in fact, more so.

They use servo-motor assisted focus gy-hd011e that even when in manual focus mode, the barrel just keeps on turning and has no infinity point, this is not a proper focusing barrel. There were also signs of chromatic aberration. All the levers, buttons, XLR sockets and various switches felt like they will withstand been switched gyhd101e pulled thousand of times without any hint of wearing or breaking off.

Reader Rating 0 Votes. Certainly tape-striping is common practice to avoid timecode breaks but it must jjvc pointed out that it is, for the most part, done so that shots can be re-wound and reviewed in-camera on location? To achieve progressive capture, the chip collects the data from each individual pixel in one sweep.

As I’ve pointed out already, this is not a format war, i and P are two different beasts for different shooting applications.

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JVC GY-HD101E Camcorder – Black

Picture quality For this review I could not test the camera to its full potential with a HD screen, as I would have liked, so my viewing was on standard definition monitors.

Television broadcast companies tend to prefer the ‘interlace’ look for television programmes, whilst the ‘progressive look’ is prefered by filmmakers and is even preferable in certain other programme making applications.

At first the HDE seemed very poorly balanced and nose-heavy but once a large battery pack nvc added on the rear of the camera and the shoulder pad slid back to match the user? If I were to use the camera as a device for transferring footage to my NLE editing computer I would use the device controls via the computer.

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So, what else does it have? I should point gy-hd10e1 here that the tape used was one supplied by JVC and was brand new out of the packet.

JVC GY-HD101E HDV Camcorder Review

The camera I had was an early sample so there were signs of the ‘Split Screen Effect’. Although both the JVC and Sony both use 4: No two ways about it, the HDE looks and feels like a professional, shoulder-mounted camera. Any area of the viewfinder that is overexposed has diagonal stripes over that area; you simply turn the aperture ring down a few stops until the stripes disappear, easy!

Then it records the black video signal and the mute audio signal for the duration specified in advance. The only other gremlin I found was the lack of i recording in HDV format, more on this in the next section.

And only a fool would believe that celluloid has any future in the cinema process for either shooting or projection. These playback controls are a little hard to see, this is because the earpiece, which is mounted on the back of the handle obscures the view of them slightly, which makes seeing the first three buttons Stop, Play, Rew a little difficult to see.

So you know which one your finger is on by feel, hence you can stay focused and concentrated on your viewfinder composing and exposure and not worry about things like this. Aside from preview and viewfinder functionality, the LCD makes the navigation of internal menus much easier. The viewfinder can be pulled out a long way; this is very handy if you are a one-man camera operator who wears headphones for monitoring the sound. The reason for this is that the slightly more staccato image movement of progressive scanning, that is not as visually smooth as interlaced fields, gives a more film-like cadence or feel to the motion of the image.

The lens also has a macro extension ring for pulling focus at very short focal lengths that was also very effective and sharp. Whilst the HDE has a firm die-cast metal body, it is the fixtures, such as the eyepiece, that let it down.