FANTASIAS DE TELEMANN PDF

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Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.

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B major, C minor, F minor and F-sharp major. Views Read Edit View history.

12 Fantasias for Flute without Bass, TWV 40:2-13 (Telemann, Georg Philipp)

An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso Fantasias for Solo Violin. Creative Commons Attribution Share Alike 3.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Although the first page says “Violino,” and even though every piece, like most Baroque flute music, is performable on the violin, these are the Telemann solo-flute Fantasias.

This appears to be a mere transposition. More information about this can be found here. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Retrieved from ” https: The viol fantasies were dedicated to Pierre Chaunell, a prominent and wealthy Hamburg business man, whose Huguenot family had fled France at the revocation of the Edict of Nantes in Not only did he write the music, but he personally engraved the plates as well, claiming he could complete nine or ten a day.

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Having six strings and later seven and tuned in the same way as the lute gives the instrument the ability to express both lyrical melody and harmony with chords, and many composers sought to combine both elements. If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. So this tells us that there were many extremely competent amateur viol players in the German-speaking world and beyond.

December Learn how and when to remove this template message. The collection is arranged by keyprogressing more or less stepwise from A major to G minor. He published a set of twelve fantasies for solo flute ineach in a different key in ascending order, and then a couple of years later a similar set for violin, again all in different keys, but without the ascending format.

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Teelemann facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.

July Total duration: Between andhe issued no fewer than 43 publications. Contents 1 Performances 1. By using this site, you agree to the Terms of Use and Privacy Policy.

12 Fantasias for Solo Flute (Telemann) – Wikipedia

Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. Please obey the copyright laws of your country. Retrieved from ” http: Telemann deliberately avoided keys that are impractical on the one-key flute, i.

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Telemann, Georg Philipp – Twelve Fantasias – for Viola – arranged by Alan Arnold – Viola World

Part of his fame came from being his own publisher, and an inventive and enterprising one at that. And when he travelled to France in to present these works, he was ecstatic at the abilities of the great French virtuosos who played them: Hence, the edition is public domain in its country of origin or a government publication. In Telemann had started the first music periodical, Der getreue Music-Meisterwhich appeared every fourteen days, and which contained all sorts of music, not all of it by Telemann.

It was developed from the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with the election of the second of the Borgia popes, Alexander VI. Introduction English The viola da gamba is a most remarkable instrument: It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the consort music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque.

While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost. Fantasias for Viola solo TWV They may not be public telemamn elsewhere. Creative Commons Attribution 3.