I would imagine Ludovic Morlot and Karl-Heinz Steffens are thrilled – in a Gore Vidal ‘a little part of me dying when a friend succeeds’ sort of a way – that their. Henri Dutilleux. Métaboles, for orchestra. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Find album reviews, stream songs, credits and award information for Dutilleux: Métaboles; Sur le même accord; Symphonie No. 1 – Paavo Järvi, Orchestre de.

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Dutilleux ‘s use of percussion is highly inventive in using motion to suggest a lack of motion. In the composer’s own words:.

Tout un monde lontain; Metaboles; Mystere de l’instant. Ainsi la nuit Sonatine for Flute and Piano.

Métaboles, for orchestra

Retrieved from ” https: Streams Videos All Posts. Jazz Latin New Age. In other words, throughout the work, various melodic, harmonic, and rhythmic ideas are presented and then gradually modified to the point that they transform into something radically different and undergo a complete change of nature. This new idea then serves as the basis for the next series of metamorphosis.

Compositions by Henri Dutilleux compositions Compositions for symphony mehaboles Music commissioned by the Cleveland Orchestra Classical composition stubs.

The piece is cast in five overlapping movements that are played without pause. Please enable JavaScript in your browser to use the site fully. After all the instruments have entered playing characteristic music from the first four movements, the winds play the E natural chords from the first movement.


Henri Dutilleux

The remainder of the movement opposes freer melodies on the clarinet, flute, and trumpet to the E naturals. From Wikipedia, the free encyclopedia. AllMusic Featured Composition Noteworthy. The Harvard Biographical Dictionary of Music. You can help Wikipedia by expanding it. Throughout the movement, there is only one prominent melodic line at a time, which gives it a “linear” feel. Sexy Trippy All Moods. Rainy Day Relaxation Dutilleud Trip.

Métaboles – Wikipedia

The strings only have the melody for a brief period in “Incantatoire,” and that brief melody becomes the basis for the second movement, “Lineaire,” written solely for the strings. Introspection Late Night Partying.

The whole orchestra then rushes headlong into a rousing coda. AllMusic relies heavily on JavaScript. Correspondances Deux sonnets de Jean Cassou Le temps l’horloge. This article about a classical composition is a stub. Views Read Edit View history.

Similarly, an idea presented in a double bass solo becomes the seed for the third movement, which is dominated by brass dutlileux and eutilleux the fourth movement, percussions outline a slowed-down reminiscence of the preceding section.

Métaboles, for orchestra | Details | AllMusic

After Henri Dutilleux completed this work, which was commissioned by the Cleveland Orchestra under George Szellhe looked up all the words beginning with the prefix “meta-” in the dictionary to find a title for it.

The work is in five linked movements. It opens with a series of chords played by the woodwinds and centered on E natural, with short interjections by pizzicato strings and harp. Retrieved 22 January By using this site, you agree to the Terms of Use and Privacy Policy. The E natural becomes a pivotal point for the entire work.


The music itself is slow and nocturnal, with Dutilleux ‘s marvelous ear for timbres providing some gorgeous sounds. This page was last edited on 2 Septemberat dutil,eux In the early s, Dutilleux wanted to move away from traditional musical forms and develop new structures that changed according to the internal logic of a particular piece.

It combines various melodic, harmonic, and rhythmic elements from the first four sections before reinstating the E natural chords heard at the very ketaboles and then rushing to an exhilarating coda. Anthology of the Royal Concertgebouw Orchestra, Vol. Dutilleux indicates that “towards the end of each piece, a new motif appears as a filigree under the symphonic texture and ‘sets the bait’ for the next piece, and so on Share on eutilleux twitter tumblr.

In Dutilleux ‘s piece, the word describes the structure of the work, as ketaboles of the five brief orchestral movements is a transformation of the movement that succeeds it, and the final movement combines all that has come before. Drinking Hanging Out In Love. The Cambridge Companion to the Orchestra.

The last movement is marked “Flamboyant,” and it brings all the instruments together. Romantic Evening Sex All Themes.