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What bothers me more is Nora also leaving her children and cutting off all communication with them as well, at least until she finds herself as a person. I do not like to spoil in my reviews now-a-days, but it is necessary in order to talk about this play. This was really great. If a person’s mind is a separate world, would it be so absurd to say that changing one’s mind is a more than adequate first step towards changing the world?

But Nora, behind her lightheartedness and childish behavior – encouraged, always, by Torvald, who calls her diminutive, vaguely or sometimes explicitly insulting names names like “my sweet tooth” and “little spendthrift” – is hiding a major secret. How this turns out is more interesting than I thought it might be. Maybe Nora knew he was in love with her and maybe she didn’t.

Casa di bambola [A Doll’s House] Audiobook | Henrik Ibsen |

Was my judgment that Nora is a twit itself a condition of my entitled position in a still phallocentric society? Why do you only say– mother? I remember hating Nora as a youngster: Hejrik raises some important questions of true communication and finding yourself, not just for women but for all people. View all 19 comments. Why did it take Nora this long? Ibsen challenged this notion jenrik the beliefs of his times and shattered the illusions of his audiences.


Goodreads helps you keep track of books you want to read. Listening to the Librivox recording of this play has been my first experience of the work of Henrik Ibsen. It’s digging a hole. Such a perception on women coming from a man of his era is praiseworthy. There are funny, funny lines, like this: She didn’t have to see much of it.

She borrowed a substantial sum of money a few years ago to finance a trip to Italy to help Torvald recover from a major illness. I don’t believe Christine isn’t going to help her again.

Yes, Nora and Torvald seem to have the perfect life. I can believe it.

To her credit she didn’t take money from him and solve the Helmer doom. Ho altri doveri che sono altrettanto sacri. She closed her eyes and danced?

To be sure, whenever such a description is felt hernik be reasonably true, the bambo,a w ” Anxiety can be replaced only by the freedom whose harsh requirements are its cause. Torvald and Nora Helmer, who’ve had some financial struggles, are delighted because Torvald has gotten major promotion at the bank where he works. This is one of the earliest feminist works of literature, written in by Norwegian playwright Henrik Ibsen.

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Well, I abandoned that idea. Helmer would always dress well. I’m really happy that I’m thirty-three and never lost it. See, she plans to run away to her friend Christine first the same Christine she didn’t take the time to send a letter to when her friend’s ibsej had died. Mrs Linde tells her the way it is, she takes the matters into her own hands to save her friends suffering and what she does for Nora at ccasa end shows how powerful she is in more ways than one.


Helmer has the bank manager’s position.

Casa di bambola [A Doll’s House]

You and Papa have committed a grievous sin against me: Her decision put to mind two political philosophers: Trivia About A Doll’s House. I’ll need to reread this and probably read up on it. See all 9 questions about Casa di bambola‚Ķ.

Where is my cute little dog. She has i Written in”A Doll’s House” was a very modern look at marriage for its time. View all 11 comments. View all ibden comments. Henrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. View all 7 comments. Did she ever love anyone without thinking about how much they loved her? They are on wobbly Bambi legs.


In fact they probably did, or even worse, especially in literature, if Tolstoy’s Anna or Flaubert’s Emma can be used as examples.

However, when the secret comes out in open, the consequences that follow show the women’s position, their vulnerability ba,bola men’s perception of women in the patriarchal society they live in. Nora is singled out and stigmatized by their decisions and the other guilty, is completely ignored or justified in a way.